![]() ![]() Each is filled with its own life that feels fitting too. From a beautiful forest to ancient advanced ruins, each hold its own mystery that adds to the overarching story. The Gunk has found a great way to add variety to what could be a monotonous game. ![]() But all the climbing and all the forced slow movement when actually cleaning can sour anyone’s experience. There is magic in seeing this planet slowly come to life and finding the mystery of what happened. Which is why I say this game isn’t for everyone. Add in vacuuming up which makes Rani move slowly, and the game can feel tedious. Rani isn’t the greatest to control especially when you mix in all the platforming you have to do. The best way to describe the gameplay of The Gunk is to imagine if Luigi’s Mansion 3didn’t have tank controls, mixed in some Metroid Prime scanning, and was from the over-the-shoulder perspective. Rani immediately takes it upon herself to find the source of the gunk and save the planet. A life that couldn’t survive after whatever was there borderline killing the planet. Rani quickly discovers that with the use of her power glove, she is able to vacuum up the gunk and reveal underneath it all flourishing life. Upon landing, Rani finds a bleak landscape full of a poisonous pollution-filled glob she names gunk. Rani and her partner in crime, Beck, land on a planet just wanting to survive before having to head home. Taking place on an isolated alien planet, you play as Rani (voiced by Fiona Nova). Image & Form has moved on from 2-D stories about robots to the 3-D action-adventure realm full of monsters, gunk, and gorgeous scenery transformations. This is the key idea of The Gunk, the newest game by developer Image & Form and Thunderful Publishing. Watching a dirty or messy area slowly transform back into something usable, livable, and beautiful. There is something peaceful about cleaning. ![]()
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